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DEPARTURE by Todd Goodman

SKU WNM41901
$40
Downloadable
for trombone (or horn / euphonium), tuba (or trombone), and piano quartet (piano, violin, viola, cello)
Type of Delivery
ALTERNATE parts printed and shipped
Composer Autograph
In stock
1
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DEPARTURE by Todd Goodman
Product Details

PURCHASE THE PRINTED SCORE AND GET THE DIGITAL DOWNLOAD FOR FREE.

SCORED FOR: trombone, tuba, and piano quartet (violin, viola, cello, and piano)
also included in the digital download: horn in F and euphonium/euphonium TC (substitutes for trombone), trombone (substitute for tuba)
ALL PART SUBSTITUTES ARE INCLUDED IN THIS PRODUCT

TOTAL TIME: [6:00]


PERUSE THE SCORE



ALSO AVAILABLE THROUGH

Departure

CLICK HERE FOR J.W. PEPPER


COMMERCIAL RECORDINGS (coming 2022)


PROGRAM NOTES
DEPARTURE

[dih-pahr-cher]
noun

the action of leaving, especially to start a journey.

Artists often create works based on their memorable experiences. Some of those experiences are joyous, while others are unfortunately tragic. For me, one of my most enjoyable and memorable experiences is traveling with my family. I love seeing new things, meeting new people, trying new foods, and, most importantly, sharing those experiences with my loved ones. This work, Departure, is a continuation of the environment I created in one of my other works, Wanderlust—written for horn, tuba, and piano. Unlike Wanderlust, this work is not about the journey, but the anticipation of the departure itself. The anxiety and excitement that one feels before we leave to travel someplace new.

The piece starts with an exciting, bouncy rhythm that works its way throughout the whole piece. As this nervous energy almost skips around the ensemble, a fragmented melody is passed through each member of the group. These melodic and rhythmic motifs take many twists and turns as the excitement for the trip grows. This excitement is interrupted by a moment of rest, almost as if the piece is sleeping the night before the trip. Although the music calms, it is a manipulation of the opening thematic material. As we hear this subdued development, a constant pulse is heard in the piano as if where the second hand of a clock ticking away and reminding us of the slow passage of time. Finally, the moment of departure arrives and the opening music returns but fragmented, almost schizophrenic, leading us to that triumphant moment when our feet leave us, the wheels lift off the ground, or the train leaves the station.

Todd Goodman’s Departure for trombone, tuba, and piano quartet was commissioned by Sérgio Carolino and Hugo Assunção.

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